introducing the premier of the berlin based label -roman-. the initial release - lit ep - arrives with two deep, hard hitting, techno tracks meant to entice and add a riveting tool for djs to mold the dance floor.

menacing beats by new yorks dj spider are presented here in a double vinyl package. there is plenty of material here for dance floor damage as well as mental!

after their stunning 2014 debut ep i.d., shadow movement, created by music producers raphael bartel and raul monteiro, return to the scene with their second single whales released by the label d.o.c. created by acclaimed producer gui boratto. whales was announced at ade (amsterdam dance event) on 2014 and has been long expected by music lovers. the new ep has two tracks: whales part one and its progression whales part two and is released on vinyl, in a limited edition. it will be the fourth release from the label d.o.c., the ep brings all the darkness and deep harmonies with a melodic touch the duo is known for, its an exciting step for the project and the label alike

squarepusher verbrachte zehn jahre damit, sein eigenes einzigartiges softwaresystem zu kreieren und zu verfeinern. damogen furies ist das erste album, das komplett mit diesem aufgenommen wurde. alle aufnahmen entstanden jeweils in einem take, ohne edits. damogen furies strahlt die brutale energie eines debütalbums aus. es ist gleichzeitig höhepunkt und zusammenfluss aller seiner bisherigen werke und exkursionen. auf dem album interagieren squarepushers haupteinflüsse der jazz der miles davis schule und die dance music und überspannen ein spektrum von albträumerischem drill n bass bis zu frühwerken diverser electric jazz-pioniere.

new zealand based crate digger frank booker launches his new label, down in the basement, in typical understated yet highly classy fashion. what you get is four top quality booker jams that will grace any dance floor and which cross the boundaries of funk, disco, soul and house music. never one to over complicated things, fb cuts straight to the essentials of each track and rides them in the mix, while dropping his trademark dj friendly fx. essential stuff as ever from the man called booker

two originals primed for the dance floor from swiss producer manuel fischer accompanied by a tear-out acid rework from amir alexander and an atmospheric panorama bar-esque remix by oskar offermann.

if you like your music deep n dirty & laced with funk,tech & soul, then check this 4 track ep out from da sunlounge. these tracks have been tried and tested on dance floors around the world with some amazing reactions to say the least!

and we are back with the 11th edition of shir khan’s black jukebox series. number 10 directly sold out in the pre-order and saw heavy support from cool cats such as wolf & lamb, catzndogs, erol alkan, tiga, gerd janson, audiojack, laurent garnier, tensnake, pedro winter, arthur baker, dj yoda and many more. this time shir khan has collected edits from purple disco machine, dayne s and zoka. limited collector s vinyl only. cop that before it sells out

special triple pack for all you remute lovers out there - contains 3 classic releases:
• remute005: remute - sling it! (gus gus remix)
• remute009: remute - the orgy pt. 1 + pt. 2
• remute666: florian kicks - dance with me baby! (purple vinyl)

manchester producer hidden spheres blends the interesting elements he finds within recordings into soulful dance music suited for clubs and the living room. those influences combine jazz artists like sun ra, john coltrane, the art ensemble of chicago, and miles davis along with the modern sounds of detroit and german producers. having released individual tracks on dirt crew his first solo ep appropriately finds its way to moods & grooves, a label known its eclectic output. the bloos connects the musical dots of his influences while expressing a love for house music.

2014 was a great year for glenn astro, but appearances on dj kicks (brandt brauer frick) and brownswood among other labels, numerous remixes, and a string of beautifully-crafted eps already look set to be eclipsed in 2015. the essen-based producers collaboration ep with max graef will launch their new label money $ex records in january, while his debut lp is to follow on tartelet records in the spring

limited­edition/vinyl­only release. who is chocki hookon? you probably know him/her/them, but dont preoccupy yourself with trying to figure out the mystery. wheres the fun in that!? these tracks were made to make you dance and thats all you really need to know. two originals, two remixes by lph co­head, jacques renault.

6 tracks from armando vaults. this time on housetime, a lesser known trax sub label. minimal and raw jacking chicago house in all forms. check dance with me for armandos take on filtered house. original pressings from 1989 were pressed terribly and popped and crackled. this 2015 re issue has been re mastered and released in conjunction with the rights holders.

johanna knutsson and hans berg s second output from their ufo station recordings is a piece of inspiriting space techno. music that reduces the force of gravity and makes your feet feel light and springy. music that makes you lift your head and gaze dreamily out the panorama windows as glittering melodies trickle down your spine, making you shudder with pleasure. a record overflowing with profound yet tender caresses of sound from the alien duo that will light up dance floors all across the galaxy.

a 12-inch heavyweight vinyl featuring two tracks by marcos valle - one of brazils most accomplished artists and composers - remixed by underground dance music pioneers and long-time label friends, theo parrish and bloodfire (aka daz i kue).

the endurance club was launched in london on friday 13th november 2009 and ran as a regular party for the next three years. the aim was to treat electronic body music as an important genre in its own right rather than just a sub genre of industrial music, whilst linking it to early house and techno, belgian new beat and synthesizer dance music in general. body party is a tribute to all those that were part of the endureance club and to the artists that made the records we danced to.

richard rogers black booby re-edits return with bb07, which sees chi-town original and ron hardy protégé gene hunt - a black booby veteran from bb04 - digging out more vintage dat dopeness on the double-a-side, which features raw-as-hell analogue house workout *1015* (a take on the dion & tony track from his chicago dance tracks collection on rush hour back in 2011) alongside the very aptly-named (and appropriately drum-fuelled) *dr roland*. meanwhile on the b-side you will hear uk house music og terry farley sharing production duties with another 90s house veteran, stuart stretch silvester. *play house* (original mix) is a synth-heavy jacking houser with serious dancefloor intent, plus check out the kklassik mix by another chi-town don, k alexi shelby, who chases the original headlong down a dark alley littered with emotive samples and thumping keys.

tip! vinyl only business from mr g out on bristol based just jack with a killer seven davis jr remix! this is late night rawness designed for the dance floor.

sk_eleven is a new imprint focused on releasing original tracks from setaoc mass, uk. this venture will showcase old and new material with a view for quality, classy dance floor techno in its purest form.
setaoc mass - codes ep derives from where he spent most of his life, in and around manchester. the first release on sk_eleven showcases his style and love for tripped out melodies and driving low end. always adding the light to the dark in his productions.

raam is back with ep 2 where he delivers the massive hidden, a classic dub-driven techno banger. with its stabby synths and 4/4 rhythm its devastating on the dance floor. on the flip hidden gets a remix treatment from the talented baba stiltz (studio barnhus). baba buries the original into a deeper, sonic gritty journey. the ep ends with pallas which is a slow and raw house track with a moody atmosphere.

when the entire dancefloor turns into a jumping frenzy hen theres a good chance that the skazka orchestra is

matias aguayo gets down to the dancefloor with these 100% soundsystem-tested tracks. limited!

from earlydub records mastermind & creator, french native loquace has honored us with his edition of tabla, for our 5th release. after years of playing alongside flagship artists like: miss kitten, vitalic, stephan bodzin, tini & the gang, julian perez, anja schneider, and yaya, loquace has shown his commitment to the music, and has left quite an impression on many. with such releases on labels such as: little helpers, upon.you, kiara records, moan recordings, and kina music, loquace has made his musical impact, and shown great dedication, and true creativity, to say the least. loquace’s ep, entitled ‘momento’, starts off proper bringing our attention directly to the pulsating bass and excited cymbals, finding yourself on a colossal-like locomotive. nostalgia’s atmospheric rooms, brings us to a moment of breath, a certain euphoric feeling. getaway, takes us to the deep down drums while guiding you to the undertones of the bass. as we yearn for more, loquace delivers us – things. as the track unfolds, it will bring you into a groove, a distinctive rhythm, as the chorus keeps you on beat, the kicks dance around, and the secret stabs transport you to our closing, ending our journey with loquace on this edition of tabla.

as big fans of red axes, were happy to welcome niv and dori to the label. their first release for hivern is pil sagol, a three-track ep that features some of their most adventurous material to date. the title track is a slice of shamanic house full of playful melodies, dripping textures and steady rhythms that result in the sonic equivalent of psychotropic trip through the jungle. me and abra in ruanda drops the tempo but keeps the mind-expanding effect with its mangled brass sounds and ceremonious pads. todum todum is the most dance floor-driven cut of the ep, building tension through distorted toms, reverberant claps and an unrelenting bass line whilst keeping the narcotic vibe of the whole release through highly enchanting cosmic melodies. the 12inch comes in a captivating sleeve by barcelona-based designer xavier marin.

the new sagat is truly emotional: the drums are neat and the sounds are warm. tight groovy rhythms travelling within layers of the deepest dark dub without sounding evident or tried. familiar but new. precise funk made of techno frequencies. reverb and delays that bring butter to your ears: melting the earth onto your body. *melt* is a body: it has a rhythmic pattern and synths that pop up like a breathing living organism. *earth* is the landscape: you can visualize it. *organs* is your brain thinking about a better dance world and *body* is what is left to dance in the way old gescom vynils used to.

a: power clean is like the clean movement but adding some extra power by lifting the barbell high enough to get under it. 2000 and one translated this movement combining a slightly distorted techno beat with stabby chords for dance floor force. b1: fabregas with its eerie sounding synth riff and a 909 beat is destined to be a prolific scorer, just like the one and only top athlete. b2: solid state is not an ordinary tool. it is more than that. to find out, play loud

limited 10 x 12 inch box set on yellow vinyl. dont call it a sequel, its just a next step! the sound of belgium digs deeper in our countrys rich soil for fierce beats, endless grooves and sonic ecstasy. the movie, the music, the book: history in the making.

another all-time classic from the extensive back catalog of the legendary miami songstress gwen mccrae. 90% of me is you is instantly recognizable, it s been sampled countless of times by some of the most seminal hip hop artists ever (large professor, jaylib, mobb deep & more) & is a bonafide rare groove sure-shot that never loses its appeal & is always in demand with dj s & producers. perhaps its the pairing of the languid guitar & strings, or gwens sultry vocals & that steady breakbeat that keeps people hooked some 40 years after it s original release? whatever it is, its classic material from start to finish! backed here with its original b-side slow jam its worth the hurt this super-rare 45 has been re-mastered, re-pressed & brought back for 2015s dance-floors in conjunction & with the permission of t.k. disco / henry stone music, miami usa

the latest chapter in the electronic evolution of guitarist john frusciante features a new project under his trickfinger guise and has him utilizing the classic hardware that spawned the eternal acid template. frusciantes desire to cede control to machines has paradoxically allowed him to present a singular take on elemental dance music, a brilliant and unexpected entry into acid tests growing canon of modern, 303-focused dance music.

after kicking off cut copys recent critically acclaimed oceans apart compilation of underground melbourne dance culture, knightlifes majestic dont stop finally sees a vinyl release of on his new 12inch, accompanied by a suzanne kraft remix and new acid tinged techno jam interstate 08.

this wax is a solid proto - funky ghetto house...its not for the faint hearted or the easily offended! take heed though, it will make you dance!

new label focusing on the deeper techy sounds of detroit. first release is produced by gari romalis.

we are happy to welcome invite (aka tim van paradijs) to the knotweed records family. many of you already know tim for his skills as a dj and for his famous invites choice podcasts serie. he now demonstrates his production skills by delivering three big room techno tracks that will for sure make some noise on techno dance floors across the globe.

veleno viola is the continuation of violet poison records after the end of violetshaped project. keeping the continuity with the concept started with vpn, veleno viola differentiates itself for a more diy and post – punk and less dance approach, with the use of vocal elements, strongly influenced by the industrial 80s, the minimal-wave, ebm minimalist and cyberpunk of the early 90s in a fetish and s & m context. *absence generator*, the first release, is characterized by an abnormal sound, hybrid, dirty and suffering. pressing on solid white marbled vinyl.

where -oh year- takes you more to the funky side, -dayrun- is a more techno influenced trip to the dephts of the night. with the hypnotic synths and wobbly bassline it invites you to loose yourself in the dance. on the other side, the detroitesque strings, that glimpse up during the break and the pushing hihats, it leaves you with a smile and your hands in the air. to complete this fabulous ep, markus throws in some percussion and extra deep basslines on -pingel pangel snop-. a track that is filled up with funk & soul, designed to be nothing but a house track with a twinkle in one s eye. a true groove monster.

karinas inaugural theme takes us to a temperate world where dreamy synths undulate across a hypnotic sunset sky. the glint of an acid tinged bass line bobs playfully between clicks & claps. the perfect breezy summer dance groove.

argentina has a rich history when it comes to dance music and gonzalo solimano is one of the countrys finest electronic flag-bearers. with his unlock recordings imprint he has created a heavy back-catalogue that the likes of barem, guti, luca m and daniel sanchez have all contributed to. after a short break solimano is back with his *factor h* ep and the original mix is a tropical, cow bell laden treat, one that sums up the nation’s sound nicely. on remix duty is both fase and fellow argentinian maestro guti. the producers last full-length was the jazz-inspired *rompecorazones* and now a remix lp is set to follow but here we focus on his amazing edit of *factor h*. guti has maintained the percussive elements of the original but added a significant amount of groove and focused on adding in thick kick drums and more drive. it is one you can imagine on the terraces or at 4am in a darkened room and this is why guti is such a don. pressing on green marbled vinyl)

tobias schmidt is back and at the very top of his game with these three amazing tracks that all channel the spirit of the label to a t and have been smashing up dance floors during his live sets and at the hands of those with advance copies! massive.

office 04 circles in memories: the record is about johannes * iron curtis* palukas time at karl-marx-straße berlin where he used to live next door to label head baaz and graphic designer chris fladung. a1 track * magnet* is an ecstatic piece of house music holding all elements ics production is esteemed and loved for : heavy, unrelenting kicks, rolling bass lines, shimmering pads, topped with searing hot yet gamelan-like synts and an icing of slightly loose, detuned organ stabs predesting grand emotions on any dance floor. * what happened happened* surely marks up as another proof of curtis fearless takes on house music: distorted field recordings and blurred spoken words, a web of gossamer melodies and subtle clicks and cuts, all cohered by the louche bassline and the reshuffled groove in a true dilla-ish vein. adapting elements to their own agenda, clandestine groove explorers berg turn * what happened* into a true midnight roller: razor-sharp hihitas join forces with a steam-maschine like percussion, whipping relentlessly in-between kick drum and kick drum. berg cools off their take with prancing melody motifs and strung out pads of the original track, though never loosing focus of the * reductions* aim: keep the dancer dancing.

deluxe edition auf 180 gramm doppel-vinyl im klappcover mit exclusivem acetat-artwork und downloadcode.
auf ihrem neuen album *vulnicura* verarbeitete björk die gescheiterte beziehung zu ihrem lebenspartner matthew barney. aus dem liebesleid heraus entsteht ein wunderschönes album, auf dem björk mit sanfterer stimme singt als gewohnt. das passt zur gesamtaussage des albums. björk geht liebevoll mit sich um, denn das geheimnis ist, die liebe zu sich selbst wiederzuentdecken. es ist ein steiniger weg mit gutem ende. man scheitert, trauert und geht letztlich als neuer mensch aus einer krise hervor. björk findet mit »vulnicura« zu einer direkteren form der musik zurück. sie beweist: nicht nur zeit heilt wunden – musik tut es auch.

earth motherns ninth release is signed by js & andee aka rks. the label owners offer their vision of techno and house music made of machines, synths and samplers live sequenced.

with this compilation aarhus-label help recordings presents a selection of electronic music, giving it the self-evident title *relevant material*. on the first face, an uncredited weird intro is followed by two tracks from two debutants. the lofi energy of brooklyn-based love letters is followed by a new-and-classical house-sound from sports, the younger brother of the two label-heads. on the flipside older brother central, who recently appeared on the the neighbour-label nord records, shows his calmer and more melodic side. the local group lester, who did the first tape on the label, deliver a playful jam, a groovy exploration of machine dance music. the final grooves of the compilation reveal another uncredited sportive track.

only one listen to the crystal clear rapture in the sound of bodhi shows the funk influenced take on dance music this young duo have to offer. olly howells and luke welsby started producing together 2 years ago but ever since they kept on capturing the right attention. therefore it is no surprise that exploited picked them up to release three uplifting, warm and modern dance tracks.

san francisco producer charlie yin has made quite a name for himself turning bedroom beats into dance floor staples as giraffage. his beloved r&b remixes and vibe-laden solo tracks have won early praise from pitchfork, the fader, xlr8r and other tastemakers, all while he seals the deal live with lush, bass-driven performances at low end theory, boiler room and gigs around the globe. we are happy to have him join the fools gold fam. limited pressing on multi-color vinyl.

a strong and versatile ep from chucky bounce, who is one of the virtual producers from the detroit production collective mdec (music dance every chance). not much info on who is behind the alias, but whomever it is has blessed us with a stunning debut

after ep1 in summer 2014, jacob korn continues the series with the aptly titled ep2, a collection of tracks that underline jacob s talent to produce dance music with appeal for both the main floors as well as deep house connoisseurs

2nd part with more phunky disco

with his hugely supported pw vinyl release still ringing gloriously in our ears, robsoul boss phil weeks returns with a brace of releases on the mothership and an exclusive taster from his upcoming artists album due later this year. today we bring you the first of those eps, lead by the track from phils as yet untitled long-player. *a man needs a woman* is musical sunshine. stirring strings, warm bass and touching vocal riffs, all filtered to perfection by the frenchman. from the fresh open-air sounds of the title track to the rhythms of the club with *where did the night go*. this sweet sensation is a drum-laden weeks special. *i can make you dance* rounds out the ep. a snare driven, hypnotic and bubbling tool, for the discerning dj.

despite refusing to stick to a single genre, deft is one of those immediately recognisable producers, which is nice because it means we dont have to waste any time comparing him to anyone else. 2013 saw the croydon man skilfully hopping from headphone to dance styles, often within a track, his signature blend of cinematic soundscapes and crisp, intricate percussion covering hip-hop, house, and ambient. whats more, his noteworthy contributions to the burgeoning uk footwork scene means the young producer can now count mark pritchard, dj shadow and rockwell among his biggest fans, and boy does this boy have fans, check this bandcamp review of his project mooncircle ep voight kampff: anything this magician puts out has a pretty good chance of getting you pregnant right in the good old music hole. says it all really